The Altarpieces In Guatemala From 1821 To 2021: On The Occasion Of The Bicentennial Of The Independence Of Guatemala

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Keywords:

altarpiece, bicentenial, historicism

Abstract

On the occasion of the commemoration of the bicentennial of Independence, we will
take a tour through the history and evolution of altarpieces in Guatemala. We can evidence three lines of stylistic development during this period of time: neoclassical, historicist and synthetic-minimalist. The research approach is qualitative, the specific methods used for the study is the formal descriptive one, according to a chronological development.

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Author Biography

  • Brenda Janeth Porras Godoy, University of San Carlos of Guatemala

    Arquitecta (FARUSAC), Maestra en Restauración de Monumentos y Centros Históricos (FARUSAC), Maestra en Museología (Universidad de Valladolid, España), Doctora en Historia del Arte (Universidad de Sevilla, España). Catedrática universitaria. Consultora en temas de Patrimonio Artístico-Arquitectónico Guatemalteco.

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Published

2021-11-30

Section

Artículos

License

Copyright (c) 2021 Brenda Janeth Porras Godoy

Creative Commons License

This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.

How to Cite

“The Altarpieces In Guatemala From 1821 To 2021: On The Occasion Of The Bicentennial Of The Independence Of Guatemala”. Avance (November 30, 2021): 26–37. Accessed July 13, 2026. https://ojs.farusac.edu.gt/index.php/avance/article/view/105.

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